12/29/2023 0 Comments Mariam dingilian waxworks![]() Smoke from Assad's bakery covers the front of the palace, where Al-Rashid loses a game of chess, leading him to want the head of the baker. The poet sees himself in his story as a pie baker, Assad, where he lives with his wife Maimune (played by Olga Belajeff) directly by the walls of the palace where Harun Al-Rashid lives. With his daughter by his side, the poet notices that the arm of Harun al-Rashid is missing and writes a story incorporating the missing arm. The proprietor hires the poet to write a back-story for his wax models of Harun al-Rashid (Jannings), Ivan the Terrible (Veidt), and Jack the Ripper (Krauss) in order to draw an audience to the museum. Ī young nameless poet (Dieterle) enters a wax museum where the proprietor works in the company of his daughter Eva (Olga Belajeff). Some references list German screenwriter/producer Leo Birinski as a co-director, co-producer and editor of the film. Leni died of blood poisoning on 2 September 1929 at age 44. This film would be director Paul Leni's last film made in Germany before he went on to make The Cat and the Canary (1927) in the United States. The 1924 silent film supposedly inspired a 1988 "remake" of sorts, Waxwork, but "any similarity between the two ends there." The film was also known as Three Wax Men. Critic Troy Howarth mentions "Of all the later horror anthologies, it seems to have had the most direct effect on Amicus' Torture Garden (1968), which reused the waxworks motif". ![]() The film's format may have influenced later horror anthologies such as the British Dead of Night (1945) and the Italian Black Sabbath (1963) by Mario Bava. Its stories are linked by a plot thread about a writer ( William Dieterle) who accepts a job from a waxworks proprietor to write a series of stories about the exhibits of Caliph of Baghdad ( Emil Jannings), Ivan the Terrible ( Conrad Veidt) and Jack the Ripper ( Werner Krauss) in order to boost business. The film encompasses several genres, including a fantasy adventure, a historical film, and a horror film through its various episodes. Gershenson knew Dingilian since their days at North Hollywood High School and praised his former partner for his “incredible integrity.Waxworks ( German: Das Wachsfigurenkabinett) is a 1924 German silent anthology film directed by Paul Leni. Ladd said one of Dingilian’s most exceptional qualities - especially having spent his whole career in Hollywood - was, “He never ever told a lie to anybody.” We’ve worked together for about 18 years now, except for a brief period, and every day was a pleasure to be with him.” He was great at his job, an extraordinary parent and a wonderful friend to everybody. I’ve never heard anybody say anything bad about him. Ladd also praised Dingilian’s charisma with people. Everyone he ever came in contact with fell in love with him,” Boone said. Whether (the projects) worked or didn’t work, he showed equal compassion. He worried about the people involved with the projects. He took their disappointments as hard as anyone could. He was a friend to the industry, the filmmakers, the press, everybody. “I loved him as a person, admired his professionalism. “He’s a very good friend,” MGM corporate exec VP and president of marketing and distribution Ashley Boone said of his associate of 18 years. He also served as governor of the Academy of Motion Pictures Arts & Sciences from 1989-92. Last July, Dingilian was named worldwide marketing executive vice president. ![]() ![]() He joined MGM as a consultant in September 1991, reuniting him again with Ladd, MGM’s co-chairman/co-chief executive officer. In 1988, Dingilian switched back to the private sector and became president of International Creative Associates, an indie marketing firm, where he handled campaigns for such critically lauded films as “My Left Foot,””The Grifters” and “Mr. In 1984, Dingilian moved to Columbia Pictures, where he served as executive veepee of worldwide marketing for four years. In 1976, Dingilian joined 20th Century Fox Film Corp., eventually becoming worldwide vice president of publicity and promotion under Alan Ladd Jr.ĭuring his tenure at Fox, he contributed to the campaigns for such hits as “Star Wars,””The Turning Point,””Julia,””Alien” and “All That Jazz.” He left Fox in 1980 to rejoin Ladd at the Ladd Company as VP of advertising, publicity and promotion.
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